Xenogenesis: Flushing, Queens

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From my 2007 diary…..What a strange and deeply inspiring summer. I have been living in New York City for just about ten years, and I think it is finally becoming the kind of muse that sends my creative spirit flying. Tonight I drove to Flushing to shoot xenogenesis. Little did I know that a drive to this marvelous Asian community would lead to one of the most unusual epicurean experiences I have ever had — eating authentic Szechuan food. This region of China includes the highly pungent taste of Mala. Eating this invisible, peppery powder in our appetizers was like diving into a pool of ocean water with an electrical socket plugged into the taste buds of your tongue. What a charge!

So back to filmmaking, though in many ways such taste-defined sensations are very tied into the witnessing and thinking that comes with collecting images for our words. It’s all new and all extremely sensory. Tonight I shot in the Sago Bubble Tea Cafe because it seemed like a great place to study the radical shift in life style between generations in the Asian community in this city. Here I was able to see tables of young people gathering to drink a particularly new dessert drink, to eat French fries, to participate in a sense of community that is, to my eye, so different from that of their parents.

Lapidary, Diamond District, Manhattan

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How can I possibly convince a Diamond District business owner to allow me into his stone cutting workshop to film the almost alchemical art of transforming nature’s mineral creations into high-end jewels? After a week of non-stop phone calling and perseverance, I discover that a little southern charm can occasionally take me a long way. I successfully convince a jeweler to allow me into his small workshop full of Brazilian craftsmen, only to discover that stone cutting is perhaps the noisiest art on the planet. The occupational hazards of playing the electric guitar are nothing compared to this!

Once I have finished shooting, I step into the afternoon sunlight of 47th Street and immediately notice an entirely different array of auditory sensations — equally particular to this New York City neighborhood. As long as no uniformed police officers are in sight, a steady stream of hawkers are beckoning each and every passer-by to buy a bracelet, a ring or simply an undocumented raw stone. Straight from our exotic, diamond mine to your fiance’s finger?  (Lynne Sachs)

Zenana: Images of Henna in a Queens Beauty Salon by Barbara Hammer

BY | Posted on | FILED UNDER Categories Places, Queens, Words, Zenana

2007: Thanks Lynne for sending me to a new place in the 5 boroughs of New York, Queens! I have long wanted to explore the Roosevelt subway stop area which centers on Roosevelt Avenue filled with Asian Indian restaurants, sari shops, and, voila Le Henna womens’ beauty salon. The young woman artist who designed my hand was so surprised that I didn’t want an elaborate design, but rather, one that could be completed in the 2 to 3 minute video clip you asked of me. There she is, there are our ears, our hands. Wedded for 3 minutes! Of course, I immediately went to the nearby store and bought my own henna ready to draw the body brown line beauty brown. (Barbara Hammer)
Zenana

Selenography: “Moon Watching in the Big Apple”

BY | Posted on | FILED UNDER Categories Brooklyn, Selenography, Staten Island

The moon is not a stargazer’s friend, and neither are all of the city lights of New York City. Still, with the help of the Amateur Astronomers of New York City, I’ve been able to gaze at the bumpy crevices of our moon like I have never seen it before — from the pitch black expanse of Staten Island’s Great Kills National Park, the darkest spot in the metropolitan area, to the busy center of Brooklyn’s Borough Hall. One cool summer evening in August 2007, I drove to the farthest reaches of Staten Island with my partner, filmmaker Mark Street, and our two daughters. Having lived in New York for almost a decade, I’ve been trained to avoid murky places where a human being a mere six feet away is impossible to see. It was truly scary to drive into a completely unlit network of winding roads full of other cars without their lights on all searching for a few hidden telescopes perched to watch the sky. In Brooklyn, we stood with two breathtakingly knowledgeable astronomers in the subdued light of the borough’s government center. My fellow selenograpahers seemed bewildered by the fact that I was shooting video in the darkness. Surrounded by office buildings and courthouses, I listened to their scientific explanations and personal anecdotes on the narrative of the cosmos. Knowing very little in the realm of astronomy, I felt confident that the reflection of light on the surface of the moon would be just enough to awaken the screen.  (Lynne Sachs)