Julie Peppito, a Brooklyn artist whose work is very much driven by her concern for the environment, lead a collage workshop to toddlers and pre-teens, making a collage with broken toys, images and various craft materials. It was President’s Day, 2020. Fantastic works were created by dozens of kids. I photographed several of them. One gave me pause, the one with the gas mask. I thought “Oops, did we supply that image in the trove of materials we presented?” I moved on and forgot about it.
With the Coronavirus lockdown I prepped my studio for working from home, clearing off my table, sorting files, setting up office. Organizing my computer’s desktop was next. I created a folder for this and a sub-folder for that, I deleted ancient files to free up gigabytes of space, and I hooked up the external drive I brought home. As I brought order to current projects, I categorized recent photographs, like those I took of that workshop and the works her pupils composed. The gas mask! There it was again, yes, I recalled my pause. However, not until now did I spot the doorknob in the piece. Was this kid on to something? What did he know? The coronavirus had crossed our borders under the radar of presidential denials. Had the kid read between the lines? Did he attend the workshop with Purell in his pocket? How would he have answered, if he’d been asked “What would you want to share with the world?”
Brooklyn
The Artifact
A kitchen rag, a deep dive, a lexicon expanded.
The first time I hovered over a manta ray on the bay of Fernando de Noronha Island, was one of those moments that you want to prolong indefinitely. The graciousness of that aerodynamic span, the perfect water temperature as I coasted the stream, the shimmery surface of this polka-dotted mild beast, everything conjured up the necessary requirements for enchantment.
I can’t say as much about the old kitchen rag, previously a gift from my son’s Swedish godmother, which I was scalding with vinegar, detergent and boiling water. It caused a whole other configuration of astonishment and the combined smells made me slightly dizzy. Perhaps my head had already been set spinning the moment I caught myself scavenging the house for needle, thread and cloth. I had never spent so much uninterrupted time inside this house. I found my snorkeling mask in the closet. A mere two weeks ago I had seen pictures of an Italian man sporting one of those at the supermarket and I laughed at his ingenuity.
My unmeasured love of diving is tied to how it brings me an alternate reality so different from my own, without gravity, where the refraction of light through a liquid medium charms me so that I endow this object, this mask, with an affection by proxy. I washed it with lavender detergent, and I leave it handy now.
Was I exaggerating? But it was the CDC that recommended the use of masks and I found these instructions on the New York Times. I’m really bad at following even recipes willy nilly, but I did just so for this mask. It was sunny out, so I sat on the balcony to catch some fresh air and put on a mild playlist. Normally, these little projects confer a particular sense of competence, when I dominate a new skill. I recognized this sentiment in the glimmer in my son’s eyes when I taught him how to cook risotto. Having barely turned 14 in reclusion, he’s been recruited into a range of chores. I taught him how to operate the washing machine, the vacuum cleaner, how to fold sheets, and brush the toilet bowl. I sent Maria, our cleaning lady, money to stay home and started a spreadsheet for what has now become our cleaning routine.
Manual labor has been the easy part. To read something like cultural criticism by Lauren Berlant, that is hard work, and although I don’t necessarily miss these deep dives, when I do manage them, it brings me great relief, as it feels like recovering a choreography one thought forgotten.
I choose a light gray thread that will look discreet against the blue striped fabric and used my son’s school ruler to measure the fabric and get distracted thinking of the paradox at hand; everyone covering themselves up in masks, while the most raw and explicit in us was becoming increasingly visible—fear. One or two uncertainties lend charm to life and mobilize our poetic sensibility. Yet a snowball of the same prime-material, striking us down, not only leaves us at a loss but it also crumbles entire façades, and renders transparent forces palpable. My Irish neighbor, who previously would barely muster a “good morning”, now posed incisive questions about my supplies, as I struggled to move my heavy shopping cart. The French photographer with whom I went out a couple of times before he vanished, now reappeared in my texting thread. Failing to see the point of his investiture, I just wished him luck before stanching the correspondence. Who am I to redeem someone at a moment like this?
“I’m pacing my building’s rooftop, why don’t you do the same in your backyard, that way we can pretend to be going for walk?” Natacha suggested by phone. I giggled, waking up my facial muscles to this rarified exercise in the last few weeks, and took her suggestion. She is French-Congolese, I’m from Rio. Among the many subjects broached, we scratched our heads over the impossibility of social isolation in Kinshasa or Rio, where populational density is upwards of five thousand per square kilometer. The denser parts of Lombardy barely reach four hundred. The minute I disconnected the phone I started thinking how global mobility will be affected by this, as airlines go broke, recession tightens, and national estrangements develop. I had spent the last year applying for doctoral research work in faraway universities, with low residency requirements. I had already dreamed up and budgeted this bouncy existence between Europe, New York and my native Brazil. Today, I consider myself lucky to have a backyard where I can hop around and exercise. On the days when I manage to convince myself that it is imperative to train my aerobic capacity, to keep my lungs in top shape, I have no qualms about cranking up Outkast and gallop in lateral and nostalgic stride. On rainy days, I can guarantee that one can hold hands with Glen Hansard to the punishing cadence of Say It To Me Now.
I had scheduled a skype call with my friend Ellen, from Taiwan, to celebrate a week since she stopped having the fever. We met in 2010, disheveled and sweating it out at a Shaolin class in Chinatown. Now, I put on a flowery dress, the aqua necklace my dad had gifted me last year, and I put on eyeliner, as my sister had taught me to on her last visit here. I don’t want my hands to forget how to do that controlled movement. This was less about covering up my unrest with chromatic camouflage, I just thought Ellen deserved to have someone on the other side of the screen who bothered to get ready for this lunch date, so pomp could fill in where no physical presence was to be found. Our salutation bows replaced by computer mike testing protocols.
There is one step in mask making which consists of turning it inside out, disemboweling so to speak, to reveal the strings attached to the double cloth sandwich. At this point, this could have easily been a comfort toy for my niece, already isolated in Mauá. But I confirm this artifact’s destiny as mask, remembering my last conversation with my friend Basia: “They use it all over Asia, and they managed to reign in the curve. If nothing else, people tend to steer clear from you on the street, this is useful in lowering supermarket contact.” Basia sent her dad back to Poland via Berlin, left her doctor husband in Queens and is living out of her mother’s basement upstate. Juan, her husband, is from the Basque country in Spain. A trained surgeon, he now swabs patients suspected of being positive for the virus. Today, she has already posted about his using a plastic liner in lieu of protective gear. The peak for hospital demand is not supposed to hit until late April. How first-world-ism is going to be redefined after this, or how many façades will come down until I retire my hand sown mask is a source of endless contemplation, which I hope will bubble up at every dinner table, every prolonged shower.
“Yes, darling you can have a sip of my wine, but only after two forkfuls of rice. “ Fourteen years of age, third week homebound, I let it slide. Has my parental mask of exemplary role model fallen? Not a minute too soon. He asks me about the meaning of the word genocide, which he overheard me saying while talking to a friend from São Paulo. I offer him the leftovers of our homemade birthday cake. His lexicon, my split ends, we will all come out of this overgrown.
The first use of my cloth mask takes place when I go to the ATM to get cash. I needed to pay Freddy, the Colombian handyman who came over to fix a small leak. He has no paypal or bank account, because he is part of the transparent thread stitching this town at the seams with undocumented labor, under accounted, under addressed. The longing to be underwater is suddenly no longer something I can simply indulge in. Once I used the bank’s keypad, believed to be a viral hotbed, I started treating my own hand as a radioactive object. I brought it home, and straight into the sink, without sparing my jacket’s sleeves, then undressing entirely, adding to the laundry pile. Except for the mask itself, that I washed by hand, with boiling water again, so that it would be ready for use the next day, or until the ones I ordered online got here. Between the risk of postal service closures and valid Amazon strikes, I come to terms with the fact that I am already living in a reality very different from “my own”, with gravity, where any refraction of light charms me, because neither my sight, olfactory or tasting capacities have suffered losses, so I endow this object, this mask, with an affection for caution as we face this invisible beast.
Coronavirus: a QUIDNUNC’s misery (and wonder)
|A door viewer, or the QUIDNUNC’s peephole is no longer of use these days. Nary a soul in the streets! One might as well slouch behind one’s PC and crash a Zoom party. That is, until wild life starts filling the streets. Anyone, even the quidnunc, would be at a loss for words.
Twitter in the tree, an unheard of sight by a non-audile.
|I’m not an AUDILE by any means, yet I do at times associate sound with image. When I see a bird I know it’s associated with sound, a species-specific song even. The sight of a bird often stops me in my track, as I anticipate a song, and the joy of hearing and emulating it. I remember my surprise on a vacation in Maine, when I learned that the cormorant doesn’t have a song, that the cormorant is mostly silent. And when it isn’t silent, it grunts like a pig as it takes offs or lands.
Anyhow, when I wake up in the morning, and I open the curtains I see a beautiful birch tree. One fall morning I noticed the shape of what could be a bird in its branched, its body. I took a photo of it. All I needed to do was add feet, wings, an eye, and a beak, and I did so with sound in mind.
The safest dance of all…in the time of Covid
I am working as hard as I can to understand this virus. If the politicians had listened to the public health experts earlier, they would have understood the NOSOGEOGRAPHY of this disease, and would have warned us sooner to prepare. In the “spirit” of social distancing, this gal takes to the dance floor with her guitar and her tutu, completely alone.
Response to an open MOFETTE
|In these dark times, I find a mask on the ground and wonder if it will protect me from a germ mofette that is releasing invisible substances all about.
No one could vaticinate this.
There were scientists who warned us, be we didn’t listen. There were doomsday shouters, but we didn’t hear them. I sit in my house looking outside, through a piece of film, like rose colored glasses, allowing me to see what I want to see. I cannot vaticinate today, cannot prophesize tomorrow. I know enough to know what I do not know.
A Block Party in Brooklyn
The sounds, rhythms, and feelings that are heard, felt, and sensed being outside in New York City during the summer is one of a kind. Being at a block party captures all of these sensations, HOLUS BOLUS. I had never been to a block party in Brooklyn and when I did finally go, I was torn between enjoying the moment (sans technology) or shooting a quick video to capture the moment and share with my friends and family later. I chose the latter. In this video, everything is captured. Though in a hasting fashion, from the stoop of the brownstone, at a sort of CULMINANT, you can: palpitate the sound of the speakers, the rhythm of the hip-hop music playing, the urge to dance from your street, and the need say nothing–just watch, listen, and record.
A Moment I Could Not Capture
|Peach Blossom
|I was looking for peach blossom in New York.
I went to Brooklyn Botanic Garden and just found some scattered flowers on the peach trees.
In my memory, the peach blossom in China looked like bulky pink clouds.
On Roosevelt Island, I found the cherry blossom. I told myself it looked like the peach blossom I was looking for.